![]() ![]() you wont learn them in this thread, i can just recommend to watch tutorials.ġ - loudness is not important for a pre-master. This can have multiple reasons and you would need a deeper understanding of mastering to sort these out. Second, do you have any other tips or tricks you'd like to share? Unfortunately, mastering is not my strong suit, so I was wondering if I could ask for some advice here!įirst, I run my tracks through the mastering tools and get everything right up to the point where it starts clipping-but the final result still feels "too quiet." Do any of you have any techniques or settings you'd share, and which would help me increase the loudness without clipping? 80s retro dance music) project and am using the mastering tools in Reason to be a rough master (for demo purposes). The_G wrote:So I'm working on a synthwave (i.e. If they overlap, think about EQ, dynamic EQ and compressing.Ĭonsidering this, you have plenty room for loudness and a clean mix for mastering. Now put both on a low frequency bus, HP filter and Gate or Expander, maybe a LP filer around 3khz or lower and a bus compressor.Īll other instruments BP filter to let only the main frequencies through. Use a dynamic EQ or a compressor on the base with the kick for the side chain. ![]() Simples solution, use a HP filter for bass starting at 25hz. Additionally low frequencies influences all other frequencies more than higher ones. At this point there is no room for other instruments. Adding a big kick with the same properties and additional higher frequencies for that special punch, you start going into trouble with clipping. Having a ultra loud and fat bass brings a lot of preassure and presence to the mix. Rather understand the problems with frequencies amd adding sounds. ![]() You will realize soon or later that you cannot fix everything in the master by putting a compressor in it, using multiband compression, a limiter or maximizer. ![]()
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